Red & Yellow, a Wes Anderson Supercut

I knew that Wes Anderson always uses Futura in his films (the notable exception being Jessica Hische’s typeface for Moonrise Kingdom) but I hadn’t realised just how obsessed he was with the colours red and yellow until I watched Rishi Kaneria‘s supercut.


Red & Yellow: A Wes Anderson Supercut from Rishi Kaneria on Vimeo.